Last year
Eden's Curse took the Melodic Rock/Metal community by storm with their self-titled debut. A cracking album with massive hooks and big choruses so catchy it was impossible not to sing them out loud, in the shower, at work, in the super market, wherever.
The Second Coming is more of the same kind, just an inch edgier.
Dennis Ward is once again responsible for the production duties and I think this is one of his best works; it's just immensely powerful, bombastic and fair towards all instruments in the delicate mix.
Some of the coolest bass work on the album is found in
Just Like Judas, groovy to the point where you start being anxious for the survival of your speakers, it's that mean and pounding...giving the song a great fundament while the catchy chorus slams it home.
The direct and effective lyrics reflect upon a range of different themes, from dealing with sorrow, the shortcomings of the human race but also brighter aspects as finding strength to
Sail On. A brilliant, melodic mid-tempo rocker, delicately cruising by, leaving the most wonderful chorus to linger in the air. The clever use of both acoustic guitars and piano harmonies really enhances the song.
A heavier, hard pounding direction follows in
Lost In Wonderland, this is Power Rock in the vein of Pink Cream 69, those drum skins gets a heel of a beating and the rhythm guitar screams out Heavy Metal. Talking about a strong drive, fittingly supported by strong backing vocals, a very important element throughout the album.
If I had to pick a favourite
Signs Of Your Life is clearly a candidate. The chorus is down right magical; it simply sweeps everything bad away completely. The mid-section guitar work fits in perfectly, hitting the same smooth flow as the rest of the song.
Michael Eden handles the vocals with an impressive range and dedication. For a taste of his more sensitive style,
Man Against The World offers plenty. A piano/key and acoustic guitar driven ballad with stunning vocals and some beautiful piano work by Ferdy Doernberg.
In the other end of the scale,
Lost Soul never really catches on. A bit to repetitive, lengthy and lacking that kick ass feel, but it has some cool ideas nevertheless.
Angels & Demons rest solidly on a duet with Pamela Moore but I somehow think the song could have been something more. Still rocky and the thrilling guitar and key solo cranks it up a point.
The super tight rhythm section deserves a mention, for a very dynamic example of just how powerful these guys' come across, I suggest a round of
Raven's Revenge.
This album has an abundance of melodic treats and almost nothing not going for it.
Prepare to rock big time.
Written by
Tommy Monday, January 5, 2009
Show all reviews by TommyRatingsTommy: 8/10Members: 8.5/10 - Average of 1 ratings.
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