Labyrinth - 6 Days To Nowhere
Labyrinth's sound has unquestionably matured over these last few years.
The overreach evident on previous albums has been replaced by a musical ambition that's well within their grasp. No stress, no strain, no cracks (well, only a couple). A band firmly in control, confident, making sure-footed strides.
Hurtling headlong into a song, one step ahead of the ramped up bpms, seems now to be a thing of the past. The pace is frequently far from sedate, but moderated to accommodate some outstanding melodies, impressive guitarwork and colourful orchestral flourishes.

Of course, that doesn't mean '6 Days To Nowhere' exists in anybody's comfort zone, but unlike most other Power / Symphonic Metal bands, Labyrinth's music is shorn of bloat and bluster, with the bombast sparingly distributed throughout the album. Much of it, especially openers 'Crossroads' and 'There Is A Way', could be accurately described as straight ahead melodic metal.

As on 'Mother Earth', the band's acoustic variations are tasteful and well timed, carefully allowing electric guitars to crank up loudly and synth strings to sigh mournfully.

Elsewhere, 'Waiting Tomorrow' opens dramatically then lets us down with an unfocused structure. 'Just One Day' could be Glenn Hughes or Robert Plant. By the time we reach the chugging rhythms of ninth track 'Coldness' and tenth track, 'Rusty Nail's heavy metal tendency, we realise that the number of styles Labyrinth take in their stride is breathtaking.
When a hint of sameness sets in, they go off tangentially down some musical cul de sac ('What', 'Out Of Control'), holding your attention until the terrain becomes familiar. They then turn back onto the original route, before carrying onto the next track.

Only a couple of bad judgement calls spoil the album. A bluesy cover of the Beatles' 'Come Together' doesn't work and the appropriately named 'Lost' is a real clunker. It lurches from power metal to death metal, taking in some Flamenco variations en route, all in the blink of an eye, constantly returning to an extremely irritating signature rhythmic motif, and none of it works, not even close.
Take these two out and we'd have been left with twelve quality tracks, some better than others, but all displaying the band in a new improved light.

Written by Brian
Monday, March 26, 2007
Show all reviews by Brian


Brian: 6/10

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RevelationZ Comments

Comment by metalman (Anonymous) - Sunday, April 1, 2007
not one of their better releases.

Comment by dnt_metal (Anonymous) - Thursday, May 24, 2007
jesus christ... what incredible pathetic way of write reviews... it's obvious that you are the kinda "conossieur" who thinks that writing that kinda reviews and giving ratings like 6/10 for a band like labyrinth and an amazing cd like this you will appear as a guy who really knows about music but your reviews are pathteic this is the last time i've been on this site... what a shame cause once here i read great reviews but now... just crap

Comment by xoripan (Anonymous) - Wednesday, May 30, 2007
i think its not the best album from labyrinth...
but if you only want power metal and good chorus like on return to heaven denied or freeman and you dont like Lost it's because you dont have another perception of music and you are so mind closed that you shouldn't post this reviews of the disc...

learn about music first...

Review by Brian

Released by
Scarlet Records - 2007

There Is A Way
Mother Earth
Waiting Tomorrow
Come Together
Just One Day
Rusty Nail
Out Of Control
Smoke And Dreams
Piece Of Time (2007)

Melodic metal

Related links
Visit the band page

Labyrinth - Official Website

Other articles
Labyrinth - (Tommy)

Freeman - (Matthew)

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