Night Ranger - Midnight Madness
Personally I wasn't too fond of this record when it came out, because I wasn't into AOR. However, one had to recognize there was something unique about Night Ranger, which justifies this record to be a classic.

Night Ranger was a borderline case of Hard Rock and AOR. The AOR touch was obvious with the massive keyboards. Night Ranger had lots of things going for them, like great vocals, fantastic songwriters and the pairing of super guitarists Jeff Watson and Brad Gillis. This unique constellation called Night Ranger made an album that totally stood out "Midnight Madness".

The opening song (You Can Still) Rock in America was among the hit singles off the album and while the song is up-tempo and driven by lots of energy I never really got into the song. It is pure Hard Rock but Alan Fitzgeralds keys wraps up the song too nicely. Jeff Watson and Brad Gillis trade solos and no doubt that these are more than average guitarists.

Rumours in the Air is among my favorites. Jack Blades is a distinctive songwriter and singer. The mix of keyboards, drums, bass, guitars and vocals are perfected on this one. The hard rocking drive gives the song edge. Stripped down it basically all comes down to the songs and Jack Blades has many times proven to be among the greatest writers in this genre. A superior track to the albums' two biggest hits Sister Christian and (You can still) Rock in America.

Why Does Love Have to Change follows the same hard rocking beat as Rumours in the Night - It has a great drive and the harmonizing guitar solo is outstanding.

Sister Christian was the smash hit off "Midnight Madness" and still gets played on VH1. In a word association 99 percent would probably mention Sister Christian, when questioned about Night Ranger. The song was a pioneer in the Hard Rock ballads genre, which later became the hot thing with the second wave of Hard Rock bands like Poison and Warrant. Many Hard Rockers distanced themselves from Night Rangers because of this ballad and didn't use much energy on "Midnight Madness" in the 80's. However, time flies by and Sister Christian is a great anthem. The song is sung by drummer Kelly Keagy underlining this was a band of extremely skilled musicians. The song is not religious and actually about Keagy's sister Christy.

Driven by an energetic riff and eminent playing from Watson and Gillis Touch of Madness is pure guitar driven Hard Rock.

Night Ranger has a unique ability to write melodic songs and the chorus to Passion Play is definitely memorable.

"Midnight Madness'" third hit was When You Close Your Eyes and just like the other singles I don't consider this an album highlight. However, When you Close Your Eyes is the strongest of the singles - a soft rocker cut for US radio.

The extremely catchy Chippin' Away is back on the guitar driven track. The chorus is classic with Blades in vocal topform. The leads from Watson and Gillis are amazing. The chorus is simply irresistible - definitely among album highlights.

The album closes with Let Him Run, which is a bit out of place for this pompous record, since its stripped back.

The strength of Night Ranger is their songwriting capability. "Midnight Madness" is 9 strong songs packed on one album performed by splendid musicians. Earlier I referred to their music as a mix of AOR and Hard Rock - some call it pop metal, Arena Rock - but all in all it is just good music. Critics love to label the music, but let's just conclude it's closer to Hard Rock than AOR.

No matter if you are a fan or not I guarantee there is something that you can take away from this album.

Written by Michael
Friday, January 6, 2006
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Ratings

Michael: 7.5/10

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Review by Michael

Released by
MCA Records - 1983

Tracklisting
1. (You Can Still) Rock in America
2. Rumours in the Air
3. Why Does Love Have to Change
4. Sister Christian
5. Touch of Madness
6. Passion Play
7. When You Close Your Eyes
8. Chippin' Away
9. Let Him Run

Supplied by Lemon Recordings

Re-issued in 2005 by Lemon Recordings


Style
Hard Rock/AOR

Related links
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666 - Unrated

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