Threshold - Subsurface
Threshold have returned (or should I say surfaced?) with another excellent progressive metal album. That should be enough for any fans to buy this at once. Those who don't know Threshold probably need a bit more convincing...

Threshold is one of those bands that have been able to create their own distinct sound. While they are instantly recogniseable they also keep on evolving their sound with each release. Kind of clinical, precise and clear, strangely refreshing and pulsating with atmosphere, all the while being extremely heavy due to the killer guitar riffs by Karl Groom and Nick Midson. Singer Matthew McDermott's voice is warm and full, adding just the right emotion to the music. Musically the band is a joy to listen to and sometimes I get the feeling that I can keep listening to the music forever without tiring of it. Subsurface is an album you can dig into and keep on making small discoveries with each listen. It just has this special quality to it.

The production is fantastic. Crystal clear, heavy and powerful with every little detail showing, even the bass is given ample room. At high volume this album will shake the walls and make your neighbourghs run for cover. The drumming by Johanne James provides a unique base for the music and he really plays amazing throughout. The music is constantly enhanced by atmospheric keyboard effects and its melodies wrap around the music like a soft embrace. The keyboard never overshadows the other instruments but adds just the right detail to the music. Atmosphere is oozing from the whole album which is very consistent and has a great flow. From the rousing opener, Mission Profile to the low key ending song The destruction of words the album is challenging and consistently entertaining.

Highlights include dynamic Ground control with a very soothing chorus and lots of variation and Opium, which raises the atmosphere level in a song that creeps further and further under your skin with each listen. It has some fantastic vocal melodies, extremely heavy parts and a wonderful chorus. With just over 10 minutes The art of reason is the album's longest track and also one of the most captivating. When the extremely cool chorus hits about half way through the song it is an amazing feeling and I can only say, wow! Pressure is a heavy song with a huge chorus that sweeps me away and the touching Flags and footprints is the closest the album comes to a ballad with a fantastic atmosphere, lots of melody and overflowing with emotion.

The grooving Static and the complex Stop dead are the only songs that have not knocked me right off my feet yet, still, they continue to grow with each listen.

Lyrically the album gives the impression that it has a lot to offer. I'm looking forward to getting the real album and booklet as I am only able to grasp bits and pieces from each song.

For a taste of Threshold you can check out the full song Mission control which is available for download here. The official website also has snippets from each song online. But never mind those because Subsurface is a sure buy. It is an album that demands several listens, but it just keeps on giving, so expect many hours of listening pleasure ahead.

Written by Steen
Tuesday, August 3, 2004
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Ratings

Steen: 8/10

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RevelationZ Comments


Comment by Shumoni from Bangladesh (Anonymous) - Saturday, August 7, 2004
Thanks steen for Introducing me to Threshhold


Comment by Steen (Staff) - Saturday, August 14, 2004
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Comments: 518
Hey, glad to be of service.

Posted by Steen (Staff)
Saturday, August 14, 2004

Comment by dj (Anonymous) - Tuesday, August 31, 2004
This is what i call quality prog metal could be they're best album to date.











Review by Steen
None

Released by
Inside Out Music - 2004

Tracklisting
1.Mission Profile - 8:15
2.Ground Control - 7:14
3.Opium - 6:48
4.Stop Dead - 4:21
5.The Art of Reason - 10:20
6.Pressure - 5:18
7.Flags and Footprints - 4:54
8.Static - 5:08
9.The Destruction of Words - 6:13

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Style
Progressive Metal

Related links
Visit the band page

Threshold - Official Website

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