|
|
Events and Reports - Enuff Z'nuff - Live with Faster Pussycat, Bulletboys and Gypsy Pistoleros - UK Tour 2007
Friday, April 28 - Nottingham (Written by Steen)
It seems that Enuff Z'nuff have made it their mission to return to the UK every second year for a handful of concerts. This time Faster Pussycat was headlining the bill, with Bulletboys and Gypsy Pistoleros rounding off a great package of pure rock n'roll.
My plan to run the Hamburg marathon the same weekend was quickly scrapped and flight tickets were booked for what turned out to be an awesome four day escape from normal life.
After a short flight and a cold night spent at the Stansted Airport Michael and I arrived in sunny Nottingham and quickly found our hotel. The afternoon was spent enjoying the sun outside Nottingham castle with a bag of beers and my 4-watt speakers. A perfect concert warm up.
After a small re-union with Matt and Andy at the Tab n'Tumbler Pub we arrived at the venue early to be sure we didn't miss the opening act. Last time we were in Rock City, back in 2005, Enuff Z'nuff was playing in the rig. This time the action had been moved to the basement. Cradle of Filth was playing upstairs the same night and a long queue had assembled in front of Rock City. It was easy to distinguish who came to see what. All you had to do was take a quick look at the style of makeup that person was wearing and you instantly knew what was on their schedule.
At the ticket counter we got a look at the bill of the evening and we were somewhat disappointed to see the following:
Gypsy 30 minutes
Bulletboys 30 minutes
Enuff Z'nuff 30 minutes
Faster Pussycat 60 minutes
Show ends at 10:15 pm
The rock-disco night at Rock City obviously had top priority here.
Gypsy Pistoleros
We went inside and soon after a western-inspired intro set the stage for Gypsy Pistoleros. The self-proclaimed Flamenco Rock n'Roll Glam Sleaze Punksters play their own brand of hard rock with a twist of lemon.
Gypsy Pistoleros was a great live experience as the band shone with energy and enthusiasm. Lee J Pistolero is a superb frontman, cracking jokes and howling like a mad prairie dog. Similar for all bands tonight was a not perfect sound where the guitar was rather low in the mix.
After the opening song Lee introduced the band's lead guitarist Craig 'Iggie' Pistolero Smith as "The Ghost of Iggy Pop" and he was not far off. That dude looked like a hard working rock n'roller. When he was not on stage he was always seen with a quickly evaporating bottle of pure vodka. As I found out the next day after the Dudley show you could drink it but it tasted like shit. Listening to him play however, there was no doubt that he is an accomplished guitarist.
Anyway, back to the show. Gypsy Pistoleros won over the crowd pretty quickly with their act. The music was catchy with an intense edge. Lee was whistling some of the trumpet parts on the album and it worked surprisingly well in a live situation. Angel Pistolero on bass provided some fine backing vocals through the show while little Leeroy Pistolero impressed on the drums.
If I remember correctly it was during the ear hanger "Un hombre sin rostro pistolero" (Roughly translated "A guy and his gun"?) that the guitar suddenly disappeared from the sound and Lee went on to introduce Craig's solo spot as "And now, the greatest guitar solo ever". Meanwhile Craig had his back turned to the stage as he was fiddling with the controls and trying to figure out what was wrong. As you can see the band took the sound problems with a shrug and a joke, which made them appear confident and convincing.
Other highlights from a show that made a great first impression were"Una para todo es bandido", "Shotgun kiss is ay que dolor" and "1-2-3-4 Kiss me then I'm damned for sure". Definitely a band to look out for.
Bulletboys was the next band on the bill. They delivered an energized set, but none of their songs managed to connect with me. Lead singer Marq Torien was a wildcat and had some really manic expressions on his face during most of the show. Kudos to the stage show, but I was impatiently awaiting Enuff Z'nuff at this point.
Enuff Z'nuff
Enuff Z'nuff is still a three-piece live. Chip on bass and backing vocals, John Monaco on lead vocals and guitar and new member Randi Scott (from Supermint) on drums as well as backing vocals for most of the choruses. The band got a great cheer as they went on stage. "Heaven or Hell" opened a very enjoyable show where we held a small reunion party right at the front with several of our old friends from earlier tours, including the one and only, Miffo!
Enuff Z'nuff was rocking tonight and they sounded pretty tight although Monaco's guitar sound was a little too far back in the sound. He did an excellent job however, playing and singing with natural skill. "Kiss the Clown" and "Indian Angel" completed a powerful trilogy opener.
It was starting to get real hot down front and "We're All Alright" did nothing to cool down our enthusiasm. Compared to previous years the band had added a new song to their setlist and for obvious time constraints had to cut away quite a few wishful classics. "Who's got you now" was great to hear live and it worked well as the three guys brought the harmonies to life.
One of the ultimate live songs, "Baby Loves You", had everyone singing along. This one is always a great experience but the Monaco-middle section still doesn't work and comes close to ruining the entire song. As he starts singing his own little (improvised?) part the juice is just squeezed out of the song.
The whole show was played without interruptions, just one hit after another. The old geezers "Fly High Michelle" and "New Thing", with Chip singing the second verse, ended a show that was only just getting fired up. It was great to see the guys back in action and Randi made a superb first impression, however I was hungry for much more.
One interesting thing I did not notice, but Michael told me after the show was the exchange before the second verse of "New Thing", which went down like this: Second verse is coming up. Monaco looks over at Chip and shouts "Chip, you wanna sing?" Chip shouts back, "NO!". Monaco then steps away from the microphone and Chip has to take over and proceeds to sing the second verse. Hhmmm...
Setlist
Heaven or Hell
Kiss the clown
Little Indian Angel
We're all alright
Who's got you now
Baby loves you
Fly high Michelle
New thing
Faster Pussycat played a good show. I had moved to the back at this point since I was soaked after the Enuff Z'nuff party. I wasn't too familiar with Faster Pussycat prior to the show, having only heard their greatest hits a few times before leaving, so this show was more of an introduction for me. I'm leaving the details for the Crewe show which was a blast. After two encores the show was over and Rock City was converted into a Rock disco. We partied on.
Saturday, April 29 - Dudley - JB´s (Written by Michael)
Yesterday was quite stressful because of travelling and because of Rock City´s strict curfew; 4 bands had to play and end the gig before 10.15. Rock City is always fun and "The Rig" hosted the usual after party, where Eric Stacy and Marq Torien both acted as guest DJ´s during the night. Various band members also circulated around the venue till late.
After Enuff Z'Nuff played a unique concert at JB´s in 2001, the venue has been my favorite venue and I anticipated the JB´s reunion. For a Sunday night the turn-up was quite okay and people hung out at the bar when Gypsy Pistoeros' intro blasted out the speakers.
Gypsy Pistoleros
Like a coach gearing his team up for victory singer Lee Pistolero started out by hugging his band members while the intro played.
The band opened with Shotgun Kiss comes close. The band wasn't as much on fire as in Nottingham, which also can be blamed on the lack of energy from the crowd. Singer Lee smashed his sunglasses against a rafter to ignite both Pistoleros and the crowd.
Guitarist Iggie Pistolero is a dead ringer for Iggy Pop and looked a bit "crashed" equal what his stomach tattoo said. Iggie played the solo for the last song out on the floor among the crowd exploiting his wireless system. Unfortunately the lead guitar was quite low in the mix, which applied for all opening bands. A great player though.
Angel Pistelero did some great backing and he added body to the second song Senor Mangi Acqui and also one of the best songs live Una Para Todo Es Bandido. Angel played in a Nikki Sixx t-shirt and also had Sixx tattooed on his arm, so no need to question his roots
As you probably can tell from the song titles Gypsy Pistoleros sings both in Spanish and English. According to themselves they are Renegade Gypsy Flamenco Rock N´Roll Glam Sleaze Punksters.
In concert Gypsy Pistoleros comes off very in-your-face and punk. If you compare to their album the Spanish guitar and also the trumpet were sorely missed. Lee made up for some trumpet lines by whistling the melody line. Drummer Leeroy Pistolero is a hard hitter and definitely acts as a slid backbone to the experienced frontmen Lee and Iggie.
Bulletboys
Bulletboys were up next and they had changed their setlist a bit since the previous gig in Nottingham. 4 the love of Money was chosen in favor of Kissin Kittty.
Bulletboys hasn't been in Europe in 17 years since the release of their first album. Marq Torien is the only original member and the band consisted of S.S. Priest (Former D´Molls) on guitar, LA native Johnny 7 and the bass slot was occupied by English Rob Lane, who plays with Teenage Casket Company.
The band was very energetic and opened with a sure crowd pleaser; AC/DC´s Riff Raff. Bass player Rob Laney hit his microphone with his bass during Hard as a Rock. Rob Lane looked like a kid in a candy store being on stage playing bass for Bulletboys.
The best song of the night was Hell on My Heels driven by a gritty rhythm provided by S.S. Priest. Bulletboys is a guitar oriented Hard Rock and it surprised me that Marq Torien played so many lead parts, since he only did vocals in Bulletboys´ heyday.
The only flaw was the inclusion of 3 cover songs in a 7-song setlist. Otherwise the band was on fire and compared to the Nottingham gig S.S. Priest was much more into the music. Marq Torien, like him or not, is a great frontman. He had the wildest look in his eyes and all psyched up to bring the crowd the best show. Bulletboys certainly was behind Enuff Z´nuff and Faster Pussycat because those bands have toured Europe regularly (Yes, I know - not this version of Faster Pussycat), but Marq really got great response from the crowd. Like Torien said "They didn't fly all the way over here from L.A. to a weak crowd response"" and it worked, since Torien got everybody cheering for Bulletboys.
The band ended with a fantastic version of Smooth up in Ya, which never really got me going but live I finally discovered the magic of the song - better late than never....17 years!!!!. This night Bulletboys was amazing and the only downside was the cover songs. To reverse Marq Torien´s words regarding them coming all the way from L.A. "We didn't wait 17 years for you to fly over and treat us with a bunch of cover tunes". Bulletboys has made some great songs so F#9, Laughing with the Dead and a song or two from "Freak Show" would have made this show perfect. However, they rocked on stage and left no one disappointed.
Riff Raff
Hard as a Rock
Talk to your Daughter
Hell on My Heels
4 the love of Money
Rock Candy
Smooth up in Ya
Enuff Z´Nuff
Last night Enuff Z´Nuff certainly was the sheriffs of Nottingham, since they delivered the best and tightest show.
This time Enuff Z'Nuff continued in the no-bullshit-let-the-music-do-the-talking way. Monaco's lead guitar was a bit low in the mix and overall the guitar sound was a disadvantage for all openers.
Since Znuff only plays as a 3 piece it's hard to top BulletBoys´ energetic stage performance and also the 5 piece headliner, so show-wise Enuff Z´nuff was hampered. Chip once again had his 12-string Waterstone bass to add more body to the songs. Chip is an underrated player since he plays some great notes and melody lines. He added some great bass lines for The Way Home. John Monaco once again proved that his pipes match the amazing song legacy Donnie Vie and Chip Z´Nuff created since 1985.
The setlist was the same as Nottingham with addition of Vacant Love. The focus was on the rocky side with the short The Way Home and Fly High Michelle as the only mellow songs. Monaco played the piano notes on guitar for The Way Home and in my opinion they should have continued with Coming home.
We´re All allright is a live favorite and the only surprise was Who´s got You Now from "Peach Fuzz", which often gets overlooked and not recognized as the genius power pop/rock album it is.
Marq Torien joined the boys for the last song New Thing and he really is the real McCoy on stage... jumping around, singing, cheering the crowd, kissing Chip......... he was just like the Duracell Bunny.
Heaven or Hell
Kiss the Clown
Little Indian angel
We're all allright
Who's got you Now
Vacant Love
The Way Home
Baby loves you
Fly high Michelle
New Thing
Enuff Z´Nuff is my band. The have been my band since 1994 and always will the band that moved me most musically.
Faster Pussycat
The re-vamped Faster Pussycat was the headlining this American Glam Slam tour and celebrating their 20the anniversary with a European tour. Sadly Gregg Steele and Taime Downe didn't want to join in on the fun, but "replacements" vocalist Kurt Frohlich and Todd Kerns are definite plusses for the band.
Todd Kearns is a solid guitarist and he contributed with vocals, which perfected the opening song Where there´s a Whip (and Todd sang "There´s a Waaaayyyy").
Faster Pussycat continued with Little dove, which probably is my least favorite Faster Pussycat song, so nice to get it over and done with early.
Vocalist Kurt announced that this was their 20th anniversary tour and that they would play lots of old shit and he introduced Brett Bradshaw (introduced as original member) on drums where after he started the steady beat for Bathroom Wall. Almost legendary Eric Stacy kicked in with the bass riff where after Brent Muscat played the gritty riff with Todd Kerns.
The band continued with songs off the classic debut album and Brent said "you might remember the video for the next song where I looked like a girl! But I have grown up to be quite a man I might say" - Don't Change that song was delivered with all the sleaze and energy that characterized the debut album.
Kurt proved that he still is a rookie within the band, when he announced You're so Vain from an anniversary album they did for Atlantic - Muscat had to correct him since it was Elektra Records. Kurt just said to Muscat "well, it's all the same now" referring to the mergers within the music business. I cannot understand how come Kurt introduced House of Pain as a love song for the ladies, since the heartfelt lyrics deal with a dad not being a dad for his son. House of Pain was also the most requested video back in the days when MTV was all right. Todd Kerns didn't play an acoustic but just a clean electric while Muscat played the intro solo.
A huge surprise was Pulling Weeds, which ranks among my personal favorites from "Wake me When its over". Since it's a groovy song and riff based Pulling Weeds really worked great in a live situation.
Eric Stacy was the coolest looking dude and he sure looked like a real Rock N´ Roller, who has been living the Rock star life ever since the glorious Cathouse sunset strip days. Eric fooled around with his bass playing the riff from Smoke on the water while the band kicked into a raunchy version of Poison Ivy. Kurt Frohlich really got the crowd going by getting them to sing along.
The band left the stage to round applause and got back in for the first encore. For the die-hards they played Out With a Bang - the only song from "Whipped" played on this tour. Out with a Bang has not classic status as the other songs but it was fantastic live because of the heavy groove. Lots of people were unfamiliar with this song, which ends the "Whipped" album. Playing a song like Out with a Bang is exactly what I missed during Enuff Z´Nuff and Bulletboys´ set. Playing a rare song for the die-hards instead of the usual and obvious songs. I know that it was much easier for Pussycat since they were on stage 60 minutes, but cadeu to the band for taking a chance and also placing the song as encore.
Brent Muscat grabbed the microphone and started a Pussycat rap singing "Shit, Goddamn - Get off your ass and jam" after some repetition they kicked into Babylon to massive applauds. Well, Babylon is the Faster Pussycat song and just like on record both Muscat and Stacy sang some parts.
Faster Pussycat delivered a great selection of songs, which was more than I ever wished for - if only Smash Alley had replaced Little Dove the setlist would have been perfect.
Faster Pussycat sounded authentic and they all looked thrilled to finally be back on stage playing the songs the way the SHOULD be played. Todd Kerns was a giant on stage compared to the short Muscat and Stacy and his stage presence was also gigantic always giving himself a 100 percent with devotion to the songs. He certainly was the spark that got Faster Pussycat to explode on stage.
Eric Stacy is one of the coolest bass players I have seen - straight off the streets of Hollywood. Brett Bradshaw was solid and singer Kurt Frohlich cannot be praised enough for his vocals and stage presence.
Where there's a whip there's a way
Little Dove
Bathroom Wall
Don't Change that song
You're so Vain
House of pain
Pulling Weeds
Poison ivy
Out with a bang
Babylon
Sunday, April 30 - Crewe (Written by Steen)
This whole day was a riot. Pete and Colin picked us up at The Scott Arms while we were having a very healthy breakfast and we headed for Crewe. There we quickly found a bar with a big beer garden where we enjoyed the sun. I discovered the cocktails menu and the rest of the afternoon is history.
The Limelight was a great venue. The best yet. It was built like a theater with a stage raised high up from the floor. At the back stairs ascended to several levels of sitting areas, ending up at the top where the bar was located.
Every band was on fire tonight. The venue rocked and spirits were both high and consumed aplenty.
Gypsy Pistoleros
The Amigos played another great show. The songs were pretty much the same as the earlier shows, but several favorites were starting to settle themselves in the back of my mind. The instant favorite "Un hombre sin rostro pistolero" was shouted back from the front row where Michael and I had taken up vacancy. The whole band was on fire tonight and especially Lee gave everything he had.
During his extended solo spot Craig jumped off the stage and ran around in the crowd playing his guitar solo, ending up on his knees in the middle of the crowd.
A great show was over way too quickly.
After the show Michael and I talked about how these guys had to slow it down soon if they were going to survive their hectic tour schedule.
Bulletboys
The band was very late and had to cut their show by a few songs.
Marq was like a sizzling firecracker, completely energized and wild, even moreso than the two previous nights. He had a crazed look in his eyes and seemed to enjoy himself immensely. The bassist was also flying around the stage, making horizontal windmills with his bass. Marq's dance moves felt somewhat out of place but besides that the band put on a commendable effort and I couldn't help but get captured by the performance, even though the songs played still didn't connect with me.
Enuff Z'nuff
I felt a much better vibe on stage today than yesterday. The setlist was pretty much the same though, with only "Vacant Love" taking a timeout. In the audience a great vibe ruled as well. Plenty of folk, beside Michael and I were singing along and girls were dancing in the front rows. Colin and Pete kept check on the right side of the stage.
The opening songs were high on energy and set the show off to a great start. Again we were teased with "The way home". Tonight we also got the second verse, but just when the big change was coming the band changed to "Baby Loves you". Damn, but ok. Monaco played an impressive guitar solo as an introduction before the song got underway.
The John Monaco middle part of "Baby Loves you" was starting to become an embarrassing part of the show. His solos and singing however left nothing to be desired and Enuff Z'nuff put on another very good show. "Fly High" and "New Thing" ended a highly enjoyable, but short, show. I think I've said it before, but playing these two songs at every show have really made them outstay their welcome. Some renewal is in order here.
The band seemed very pleased with the crowd and ended the show in a big group hug.
Setlist
Heaven or Hell
Kiss the clown
Little Indian Angel
We're all alright
Who's got you now
The way home
Baby loves you
Fly high Michelle
New thing
Faster Pussycat
Faster Pussycat played their best show of the tour here. By this time I had discovered that the band plays some great party rock. Simple, but effective. The band was in an excellent mood and constantly interacted with the audience throughout the show. Kurt was wearing a long leopard coat for the first part of the show and it suited their image well.
The sound was really thick and massive as "Where there's a whip there's a way" blasted from the stage. Instantly I was caught up in the party mood and couldn't help but pull out my air guitar and sing along to the catchy music. "Little Dove" is a little too boring to make an impression but "Bathroom wall", no matter how silly I find it, is a perfect live song, which quickly got the show back into gear. The audience agreed as a great cheer of recognition erupted as the opening drum part began. Most of the audience were big Pussycat fans and sang along to all the songs, except for one guy who kept shouting for Enuff Z'nuff to come back on. Apparently he missed the bigger picture.
Michael and I were quite animated at this point and being rather high on several cocktail things there was no holding back at any time. Kurt apparently noticed since he shoved the microphone in our faces several times during the show.
The following trilogy of songs was my favorite part of the show. Everyone shouted along to "Don't Change that song" and "You're so Vain" worked great as well. The power-ballad "House of Pain", which had quickly become a personal favorite, was sung with maximum feeling this night.
Several of the later songs in the set I did not recognize, but there was no doubt that this night belonged to Faster Pussycat. Two encores and the show was suddenly over.
Everyone was in a party mood this night, but unfortunately we had to leave right after the show as our designated driver had a long way home. During the wild ride home I became incapacitated and spewed forth the strongest of the strong, that mighty fine Newcastle Brown Ale, now and forever named the black soup. I then had the best night of sleep on the whole tour. This night in an actual bed. Yay!
In the end I want to thank Matt and Pete for being great hosts.
Monday, May 1 - London - Camden Underworld + Tour wrap up (Written by Michael)
The disadvantage with 4 bands on the bill is the tight schedule. Since Gypsy Pistoleros, Enuff Z´Nuff and Bulletboys only got around 30 minutes there wasn't any room for improvisation. Enuff Z´Nuff has 12 studio albums under their belt and they suffered from the limited time since they also had to play their "hits" Fly High Michelle and New Thing at each show.
Gypsy Pistoleroes only has one album out but their short set didn't display the diversity of the band. Every night Steen and I tormented the boys to play Moonchild, which is an amazing ballad-like song off their album, but the band wanted to stick to in-your-face songs.
In London Lee introduced the band as one of those big bands from the US.. ha ha. Gypsy Pistoleros has recently been support for every 80´s band from the US, who toured the UK. The latest bill was the Love/Hate, Bang Tango, Kristy Majors tour and there was several Pistoleros t-shirts at Camden Underworld.
Enuff Z'Nuff was up next. They changed place with Bulletboys on the bill, which was hard to believe if you counted the number of Enuff Z´Nuff t-shirts in the house. At all 4 shows Enuff Z´Zuff seemed to have the most fans judging by band t-shirts.
In London the chemistry between Monaco and Chip was almost non-existant and after the first verse of New Thing Chip clearly signalled to Monaco that he wasn't singing. John still introduced Chip as vocalist for the second verse and Chip looked annoyed. Monaco did an improvised part in Baby Loves you where after he laughed at Chip but got no reaction back. Whatever is going on both Chip and John has got to get over it. They sound great though but in London they acted like 3 individuals on stage contrast to a band.
Randi made a rare mistake in Little Indian Angel and it took a little while to get back on track. Monaco spiced his guitar playing with extra solos - he should not be afraid to step up and act as the frontman.
Enuff Znuff
Kiss the Clown
Heaven or Hell
Little Indian angel
We're all allright
Vacant Love
The Way Home
Baby loves you
Fly high Michelle
New Thing
Not much to say about Bulletboys in London. They came, played and won over the crowd because of great stage presence. Bulletboys took advantage of changing place with Enuff Z´Nuff even though Znuff was on home ground. Kissin´ Kitty was back in the setlist, but otherwise it was once again a top professional act from Bulletboys. Guitarist S.S. Priest grew on me and he seemed lot more comfortable with the songs each night and he impressed me in London.
Bulletboys
Riff Raff
Hard as a Rock
Talk to your Daughter
Hell on high Heels
Kissin Kitty
Rock Candy
Smooth up in Ya
In London Faster Pussycat got a warm welcome and everyone looked happy - especially band leader Brent Muscat (who still looked like a school kid) playing all shows in a vintage Faster Pussycat t-shirt from Wake me When its over Tour.
The band went into the usual setlist but surprised the hell out of us when they kicked into Cathouse in an unbelievable rocking version, which was followed by Slip of the Tongue. Those 2 songs were the highlights of the London show. They were played with such power and passion that they forever are etched in my mind. The first song I put on when I returned to Denmark was Slip of the Tongue.
After encores the band wandered off stage and people quickly started to leave the room. However, fearless Eric Stacy wet back on stage and all of a sudden stagedived. Luckily he was caught by the aware die-hard fans that still faced the stage. Guess what they say is true "Once a Rock N´Roller always a Rock N´Roller"
Faster Pussycat
Where there's a whip there's a way
Little Dove
Bathroom Wall
Don't Change that song
You're so Vain
House of pain
Pulling Weeds
Cathouse
Slip of the Tongue
Poison ivy
Out with a bang
Babylon
We said our goodbyes to various band members, which was a hard task. The bothersome security started to throw people out directly after the show and in the middle of Faster Pussycat´s signing session. Actually all bands were at the merch stall and the crazy security even tried to kick out poor S.S. Priest from Bulletboys. A hectic and not worthy finish to a great tour.
Thanks to all bands and band members for a full dose of ass kicking Glam, Hard, Sleaze rock.
Enuff Znuff won as best band in Nottingham, Bulletboys won that honor in Dudley, Faster Pussycat was convincing and without comparison in Crewe while London was a tie. Opening band Gypsy Pistoleros was great every night and hopefully their unique sounding album "Wild, Beautiful, Damned" will help them get more tours
The best show on the tour was Crewe. The venue was amazing, intimate and tiered on 3 levels so everyone could get a good vision. Everyone was close to the stage despite a capacity of 400 and overall the atmosphere in Crewe just made it a perfect night of Rock N'Roll.
| Click pictures for a bigger version
Gypsy Pistoleros
Gypsy Pistoleros
Bulletboys
Enuff Z'nuff
Enuff Z'nuff
Enuff Z'nuff
Enuff Z'nuff
Gypsy Pistoleros
Gypsy Pistoleros
Gypsy Pistoleros
Gypsy Pistoleros
Gypsy Pistoleros
Bulletboys
Bulletboys
Bulletboys
Bulletboys
Enuff Z'nuff
Enuff Z'nuff
Enuff Z'nuff
Enuff Z'nuff
Enuff Z'nuff
Faster Pussycat
Faster Pussycat
Faster Pussycat
Faster Pussycat
Faster Pussycat
Good Pub
The Before Picture
Gypsy Pistoleros
Gypsy Pistoleros
Gypsy Pistoleros
Gypsy Pistoleros
Gypsy Pistoleros
Gypsy Pistoleros
Bulletboys
Bulletboys
Bulletboys
Bulletboys
Bulletboys
Bulletboys
Bulletboys
Enuff Z'nuff
Enuff Z'nuff
Enuff Z'nuff
The After Picture
Faster Pussycat
Faster Pussycat
Faster Pussycat
Faster Pussycat
Faster Pussycat
Faster Pussycat
Faster Pussycat
Faster Pussycat
All pictures taken by Michael & Steen | Written by Michael & Steen
Thursday, May 31, 2007 |
This article has been shown 9268 times. Go to the complete list.
RevelationZ Comments
| Comment by Lee Pistolero (Anonymous) - Thursday, May 31, 2007 | Love ya bro's!! We had a blast & you became part of the family!!! Let's do it again sometime! Miss ya's! Da Pistoleros XXXX
|
| Comment by Eric Stacy (Anonymous) - Saturday, June 2, 2007 | I'm so sorry i don't remember meeting you guys,but after the above read i somehow feel like I know you a bit.Thanks for the kind words,I'm glad all three bands rocked your guys worlds,if only for a few days!!This tour was definetely very special,,made alot of great friends,played alot of rocking shows,saw some beautiful countries,and it was a lifetime memory for me!I want to just say thanks to all the folks who came out to the shows and loudly supported us everynite,without you we couldn't have done it,,,I salute you,and rock on!!!!
|
| Comment by ccuk (Anonymous) - Tuesday, June 12, 2007 | MEGALOAF!!!!!! Good work guys, great tour. Great to see you both again. Hope it's not too long before we can do it all again ;)
|
|
|
|
|
Daily Spotlight
Iced Earth - The Crucible of Man, Something Wicked Pt. 2
 Iced Earth led their ride into glory and metal immortality with the amazing power/thrash masterpiece, "Somet....
Read full review
Retro Reviews
(Michael)
Tora Tora - Wild America
 In the late 80's Tora Tora signed with A&M Records and released their debut album "Surprise Attack" in 1989. The album made a minor stir at the Billboard chart peaking at number 47. "Wild America" was....
Read full review
(Alanna)
Icon - Night Of Crime
 "Night of the Crime" was the one - and only time for Icon in the spotlight, in my eyes. They were a midwest band that received some min....
Read full review
Archive
· Albums of the month
· Retro Reviews
|
|
|
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)